Sunday 18 June 2017

Top Hats And a Tale of Old Harrovians



Lord Byron in his late teenage years (1804-1806) when he would have been attending Harrow. This is an engraving (original artist unknown) from the John Murray collection.


Gentlemen began to replace the tricorne with the top hat at the end of the 18th century. The first silk top hat in England is credited to George Dunnage, a hatter from Middlesex, in 1793. The invention of the top hat is often erroneously credited to a haberdasher named John Hetherington. During the 19th century, the top hat developed from a fashion into a symbol of urban respectability, and this was assured when Prince Albert started wearing them in 1850. On 5 May 1812, a London hatter called Thomas Francis Dollman patented a design for "an elastic round hat" supported by ribs and springs, known as a collapsible top hat. I occasionally wear one myself, but indubitably prefer the traditional design which I find significantly more comfortable. This vintage picture of me (below) in a topper hails from the 1960s and is rare if only because I am sporting a beard.


Although Eton College has now sadly abandoned, along with much else, the top hat as part of its uniform, top hats are still worn by "Monitors" at Harrow School with their Sunday dress uniform. I have always had a closer affiliation with Harrow, needless to say. Lord Byron attended Harrow from 1801 to July 1805, and proved, not unlike myself, to be an undistinguished student and an unskilled cricketer. He nonetheless represented the school during the very first Eton v Harrow cricket match at Lord's in 1805. This was at a time when Harrow enjoyed high subscription and fame under Dr Joseph Drury, headmaster. Byron's time at Harrow was not spent just in idleness or with his friends; he busied himself reading books; history was his primary subject, followed by biography, poetry, philosophy, and other topics. He was originally supposed to be an orator, and he would read various passages out aloud for others. But his attitude caused problems between him and the administration at Harrow (markedly, he led a rebellion among the boys against the new headmaster, the Reverend Dr George Butler) and during the 1804 Christmas holidays, Byron, at Drury's prompting, wanted to leave the school. Carlisle intervened and he stayed on at Harrow until July 1805. Accepted at Trinity College, Cambridge, he went up the following October. At Cambridge, the college authorities told him that pet dogs were banned. So annoyed was he by this rule that he brought a tame bear instead.


He argued that as bears weren’t specifically mentioned in their statutes the college had no legal grounds for complaint. Where he acquired the animal far from clear, but it may have been from a travelling menagerie. Byron won the argument against the college and the bear stayed with him in his lodgings. He would walk the bear around the grounds of Trinity on a chain like a dog, and delighted in the reactions he got from passers-by.

Not finished yet, however, Byron even suggested that he would apply for the bear to join the college. He once wrote: “I have got a new friend, the finest in the world, a tame bear. When I brought him here, they asked me what I meant to do with him, and my reply was, ‘he should sit for a fellowship’.”


Throughout his life, Byron had many pets – some common choices but many unusual ones too. It is reported that as well as dogs and cats, he kept monkeys, a crocodile, peacocks, badgers, and several birds of prey. But the animal he loved most was a Newfoundland dog named Boatswain. His affection for the dog was so strong that when Boatswain caught rabies, Byron nursed him without any concern for his safety of being bitten. When the dog died, he commissioned a monument to Boatswain and wrote in his will that he wished to be buried next to his beloved pet. This, like much else he requested, was ignored.



Wednesday 19 April 2017

Lord Byron in Greek costume





The Death of Lord Byron




Brightness Darkened



And thou art dead, as young and fair
As aught of mortal birth;
And form so soft, and charms so rare,
Too soon return'd to Earth!
Though Earth receiv'd them in her bed,
And o'er the spot the crowd may tread
In carelessness or mirth,
There is an eye which could not brook
A moment on that grave to look.


Monday 17 April 2017

Easter Monday 1824



It was Easter Monday 1824. The weather had - like the progress of the Greek struggle for independence - been stormy and unsettled. That evening, a terrific thunderstorm lashed the town of Missolonghi, where Byron lay on his sickbed. As the lightning flashed, superstitious townsfolk took the heaven’s fury as an ominous sign, portending that "a great man has died."

He had. At a quarter to six, Byron, who had slept feverishly for twenty four hours, suddenly opened his eyes, then closed them for ever. He was thirty-six years old. The date was 19 April 1824. England's greatest poet was dead.

The Greeks, to whom the English lord had become a hero, were devastated. At Missolonghi, Prince Mavrocordato issued a proclamation of general mourning. At dawn on April 20th, a thirty six gun salute - one for each of Byron’s years - was fired from the Grand Battery. Public offices and all shops other than those selling food and medicine, were to stay closed for three days, Easter festivities were cancelled, and Requiem services were arranged in all major towns. On order of the Prince, black was worn for three weeks.

The rain was so torrential that the funeral had to be postponed until April 22nd, when Byron’s coffin was carried by his bodyguard to the church of St. Nicholas, draped in a black cloak, and surmounted by a helmet, a sword and a crown of laurel. Byron’s remains then lay in state, before being carried back to his own house the next evening.

There was some debate as to what should be done with the body. The poet’s last requests had been ambiguous. William Parry, who had accompanied Byron to Greece, said his compatriot had asked that "If I should die in Greece and you survive me, see that my body is sent to England." But Dr. Millingen, who had attended his deathbed, reported that the poet had requested "Here let my bones moulder - Lay me in the first corner, without pomp or nonsense." Leicester Stanhope’s imaginative suggestion, that Byron be interred at the summit of the Parthenon, were vetoed by the English authorities at Zante, who decided that the remains should be returned to England.

Before the sea journey, the body had to be embalmed, and the opportunity was taken to perform an autopsy. Despite Byron’s reported plea before death to Dr. Millingen "Let not my body be hacked", five doctors clumsily did just that. The heart, brains, lungs and intestines were removed, and placed in separate spirit-filled vases, after which the body was spliced back together and packed in a tin coffin. On May 25th, to the sound of more cannons, Byron’s body finally left Greece on the ship Florida.

Reports of the poet’s death reached England before him, with devastating effect. His old friend John Cam Hobhouse opened the letter containing details of "the fatal event" and fell into "an agony of grief such as I have felt only twice in life."

As the news spread through England, all at once the same newspapers who had savaged both Byron’s character and poetry when he was last in England were fulsome in their tributes:

"Thus has perished," announced the Morning Chronicle, "in the flower of his age, in the noblest of causes, one of the greatest poets England ever produced."

"The poetical literature of England" gushed the Morning Herald, "has lost one of its brightest ornaments, and the age decidedly its finest genius."

The news of Byron’s death is said to have struck London "Like an earthquake." The poet Tennyson remembered the day he heard the news as, "A day when the whole world seemed to be in darkness for me." In more modern times, we have witnessed the profound sense of public shock etched on the memory of a nation by the deaths of figures such as Kennedy or Princess Diana. A similar kind of numbed disbelief seems to have reverberated through Byron’s England at the passing of its most notorious poet.

Once again, the vexed question of burial. Poet’s Corner in Westminster Abbey seemed a fitting shrine, but the Dean of Westminster, less forgiving than the newspapers of Byron’s former scandals, refused the remains, and the Dean of St. Paul’s followed suite. Estranged wife Lady Byron expressed no wishes in the matter, so Byron’s half sister Augusta, as chief mourner, made the final decision that the coffin should go into the Byron family vault at the little church of Hucknall Torkard, Nottinghamshire - a few miles from Byron’s beloved ancestral home, Newstead Abbey.

The first shock over, by the time of the funeral, Byron’s aristocratic peers had regained their sang froid, and there was the embarrassing problem of how to pay ones last respects to the poet and hero of Greek Liberation without appearing to condone his still scandalous reputation. The solution was to send empty carriages, emblazened with their family crest to join the cortege, whilst not actually attending in person. Thus it was that a curious procession set out through London - The hearse with Byron’s coffin was followed by a coach drawn by six black horses, bearing the vases containing his internal organs, draped with a black velvet pall. The mourners, amongst them Colonel Leigh (representing the grief stricken Augusta), the faithful Hobhouse, Hanson, the Byron family solicitor, who had known the poet from boyhood, and members of Byron’s household, followed in separate coaches. At Hampstead Road the empty carriages turned back, and the cortege began its journey to Nottinghamshire.

Mary Shelley and her step sister Claire Claremont watched the hearse pass up Highgate Hill. Lady Caroline Lamb is said to have passed the cortege in Welwyn, but not to have found out until later that the deceased was her former lover. By the time the cavalcade arrived in Nottingham, the black plumes on the horses’ heads were covered in dust. The body was placed in a room at the Blackamore’s Head in Pelham Street, where for four days people queued to view the coffin. The procession from Nottingham to Hucknall, swelled by civic dignitaries and representatives from Missolonghi, was a quarter of a mile in length. At Hucknall Torkard church, the crowd was so large and unruly that it was difficult to carry the coffin inside. As his master’s remains were lowered into the family vault, below the stone flooring, Byrons’ faithful Albania servant Tita staggered, overcome by emotion, and had to clutch the back of a pew to avoid falling. Fletcher, the servant who had accompanied in many of his travels, broke down.

Lord Byron did not, however, rest undisturbed. In 1938, by which time the cult of Byron had made the little church a visiting place for admirers world-wide, the Reverend Canon T.G. Barker, became bothered by rumours circulating that the poet’s body did not actually lie at Hucknall, and interested to investigate possible archaeological remains under the chancel, gained permission from the Home Office to open the Byron vault and examine its contents.

To avoid too much public interest, the opening was kept secret. It was witnessed by a historian, a surveyor, a doctor, church officers and a deputation of local worthies - some forty curious people in total. The vicar’s account describes in atmospheric detail this somewhat strange ceremony.

"Reverently, very reverently, I raised the lid, and before my eyes lay the embalmed body of Byron in as perfect a condition as when it had been placed in the coffin one hundred and fourteen years ago. His features and hair easily recognisable from the portraits with which I was so familiar ... The feet and ankles were uncovered, and I was able to establish that his lameness had been that of the right foot."

Less reverend and more prurient was Mr. Houldsworth the churchwarden, who noted that the poet’s "sexual organ showed quite abnormal development" and that the malformed foot that had caused the living Byron so much angst, was in fact missing. Inexplicably it was "detached from his leg and lay at the bottom of the coffin."

The vicar and his party were, it transpired, not the first to have disturbed Byron’s grave. Examination revealed that the lead shell of Byron’s coffin had been damaged by a previous, unrecorded opening, some time before the vault was resealed at his daughter Ada’s entombment in 1852.

Someone, evidently, couldn’t resist a final peep. And even now, two centuries after Byron’s birth, historians, biographers, and all those of us who still feel his fascination continue to sift through his remains - the letters, poems, lore and life-history of the man - searching for some understanding of the enigma that was Byron. Genius or madman? Victim or tyrant? - the jury’s still out on Byron, and maybe it always will be. Perhaps George Gordon Byron never will "rest in peace." But then again, peace and quiet never really were his style ...


Friday 10 March 2017

Professor Retracts Slur



I have now heard back from Professor Hogle who has retracted his statement, albeit under some pressure. We must be grateful for that, at least, if not his incorrect attribution of title, ie "Mr," to myself. American academics! Can you trust anything they write? It makes you question everything.

 

Polly Dolly Slur



Rumours are given currency by such latter-day statements that are without a shred of substance. There was quite enough scandal attached to Byron without inventing it. The evidence is that Polidori had an adolescent crush (he was still very young ) on Mary Godwin (later to become Mary Shelley), and thus developed a profound dislike of Percy ByssheShelley, even going so far as to challenge him to a duel. Byron managed to have him released from jail in Milan, where he was stupid enough to argue with some Austrian officers, and that was the end of their acquaintance. The culprit for the false Polidori attribution regarding Byron is Jerrold E Hogle, Professor of English at the University of Arizona. I have, of course, asked him to reveal his source for the "occasional lover" homosexual slur.


Sunday 22 January 2017

The Heart Lives On











Byron's Birth and Ancestry


Lord Byron was born on 22 January 1788 in a house on 24 Holles Street in London. However, R C Dallas disputes this in his Recollections and claims that Byron was born in Dover.
He was the son of Captain John "Mad Jack" Byron and his second wife, the former Catherine Gordon (died 1811), a descendant of Cardinal Beaton and heiress of the Gight estate in Aberdeenshire, Scotland. Byron's father had previously seduced the married Marchioness of Carmarthen and, after she divorced her husband, he married her. His treatment of her was described as "brutal and vicious," and she died after having given birth to two daughters, only one of whom survived: Byron's half-sister, Augusta. In order to claim his second wife's estate in Scotland, Byron's father took the additional surname "Gordon", becoming "John Byron Gordon," and he was occasionally styled "John Byron Gordon of Gight". Byron himself used this surname for a time and was registered at school in Aberdeen as "George Byron Gordon." At the age of ten, he inherited the English Barony of Byron of Rochdale, becoming "Lord Byron," and eventually dropped the double surname.
Byron's paternal grandparents were Vice-Admiral the Hon John "Foulweather Jack" Byron, and Sophia Trevanion. Vice Admiral John Byron had circumnavigated the globe, and was the younger brother of the 5th Baron Byron, known as "the Wicked Lord."
He was christened, at St Marylebone Parish Church, "George Gordon Byron" after his maternal grandfather George Gordon of Gight, a descendant of James I of Scotland, who had committed suicide in 1779.
"Mad Jack" Byron married his second wife for the same reason that he married his first: her fortune. Byron's mother had to sell her land and title to pay her new husband's debts, and in the space of two years the large estate, worth some £23,500, had been squandered, leaving the former heiress with an annual income in trust of only £150. In a move to avoid his creditors, Catherine accompanied her profligate husband to France in 1786, but returned to England at the end of 1787 in order to give birth to her son on English soil. He was born on January 22nd, two-hundred and twenty-nine years ago, in lodgings at Holles Street in London.
Catherine moved back to Aberdeenshire in 1790, where Byron spent his childhood. His father soon joined them in their lodgings in Queen Street, but the couple quickly separated. Catherine regularly experienced mood swings and bouts of melancholy, which could be partly explained by her husband's continuing to borrow money from her. As a result, she fell even further into debt to support his demands. It was one of these importunate loans that allowed him to travel to Valenciennes, France, where he died in 1791.
When Byron's great-uncle, the "wicked" Lord Byron, died on 21 May 1798, the ten-year-old boy became the 6th Baron Byron of Rochdale and inherited the ancestral home, Newstead Abbey, in Nottinghamshire. His mother proudly took him to England, but the Abbey was in an embarrassing state of disrepair and, rather than live there, decided to lease it to Lord Grey de Ruthyn, among others, during Byron's adolescence.
Described as "a woman without judgement or self-command," Catherine either spoiled and indulged her son or vexed him with her capricious stubbornness. Her drinking disgusted him, and he often mocked her for being short and corpulent, which made it difficult for her to catch him to discipline him. She once retaliated and, in a fit of temper, referred to him as "a lame brat." However, Byron biographer, Doris Langley-Moore, in her 1974 book, Accounts Rendered, paints a more sympathetic view of Mrs Byron, showing how she was a staunch supporter of her son and sacrificed her own precarious finances to keep him in luxury at Harrow and Cambridge. Langley-Moore questions the Galt claim that she over-indulged in alcohol.
Upon the death of Lord Byron's mother-in-law Judith Noel, the Hon Lady Milbanke, in 1822, her will required that he change his surname to "Noel" in order for him to inherit half of her estate. He obtained a Royal Warrant allowing him to "take and use the surname of Noel only." The Royal Warrant also allowed him to "subscribe the said surname of Noel before all titles of honour," and from that point he signed himself "Noel Byron" (the usual signature of a peer being merely the peerage, in this case simply "Byron"). It is speculated that this was so that his initials would read "N B," mimicking those of his hero, Napoleon Bonaparte. Lady Byron eventually succeeded to the Barony of Wentworth, becoming "Lady Wentworth."

Two Hundred and Twenty-Nine




Through life’s dull road, so spent and thundered,
I have dragg’d to twenty-nine and two-hundred.
What have these years left to mine?
Nothing — save two hundred and twenty-nine.



Saturday 21 January 2017

Addendum to a Foreword




Flames leave smouldering words floating upwards as motes caught in the near stillness and silence.

Waiting patiently, sword point downwards, resting in dewy grass. Moist anticipation of the dawn.

Glimpses into the past; glimpses into the future; glimpses amid thickening mist into the present ...


Friday 20 January 2017

Phantoms


Phantoms is not just an homage to one person, but for all who have a special attachment to a bygone time:



 In part, we are,
In part, we always were
Phantoms from another time.
Time travellers. Ghosts.
Fading in. Now fading out.
Like spectral curls of mist
From time past to time present.
And back to whence we came.

She materialised on that golden sunshine day three decades ago. Until that moment she was a canvas not yet painted; a sculpture not quite formed; though within my being she existed as surely as did I. That story lives on and will remain alive whilst breath is drawn. But there is another yet more distant past to visit. Byron's ...!


Tuesday 17 January 2017

Adieu Remembered England




It was painful to witness the deterioration of England. This was magnified by the eradication of my old London haunts. Surroundings succumbed to a decline probably in evidence since the nineteenth century, which accelerated throughout the twentieth century; not helped by two devastating wars. 

My father was also deteriorating, having a heart condition for which medication had been prescribed. Yet he was fiercely independent and would not allow any interference. Knowing it would be fatal to stop taking his prescribed tablets, he nevertheless did stop taking them ― no longer able to live in a world without his first, last and only love whom in life he was unable to show the appreciation she perhaps deserved. Yet who are we to judge? Words that were her last eight years earlier nevertheless linger in the mind to burn away the veneer of romantic illusion that can grow like moss on memory.

In the weeks following my father’s death something happened that would provide a unique portal through which I almost glimpsed things as they had been in my youth. Following the discovery of my father’s body in the house where my parents had spent so much of their lives ― a house, moreover, now more resembling Mrs Havisham’s in Charles Dickens’ Great Expections ― an altered state of consciousness occurred which, coupled with the inevitable adrenaline surge that accompanies stress in crisis, found me walking the streets aimlessly, and calling on people I had not seen for decades.
  

Byron’s forbidden love with Augusta Leigh exacted from her a curl of chestnut  hair with glints of gold, and the following lines tied with white silk:

                                                Partager tous vos sentimens
                                                Ne voir que par vos yeux
                                                N’agir que par vos conseils, ne
                                                Vivre que pour vous, voilà mes
                                                voeux, mes projets, & le seul
                                                destin qui peut me rendre
                                                heureuse.

On the outside of the small folded packet Byron penned these words, followed by a cross:

"La Chevelure of the one whom I most loved +"




The equidistant cross now became their emblem. Curiously and coincidentally, I sign my own name with an equidistant cross preceding it; though for reasons entirely other than the mathematical symbol for the joining of two parts to signify sexual consummation. Byron made a note in his journal to have a seal made for him and Augusta with their “device.” This happened at the end of November 1813.


*               *               *


It once was but is no more,
You said of our beloved city

That day we spoke from afar.
I said: 'Tis a pity! 'Tis a pity!

And true; so very true.
I shall never return.

So alien and blue,
And now I learn

It resonates with neither
Me nor you.

Why did time efface and wither
London of the few

Who made it swing-a-long
To an upbeat song

As cameras clicked
And hearts ticked

So merrily; so merrily?
Fare thee well, Chelsea!

Adieu, Holloway, Highgate
Hill and Hampstead Heath!

Goodbye London Town!
Then we put the 'phone down,

And never again
Spoke about its end.




"I like London," she said
On that day we met
All those years later.

'Twas my birthday
And I thought there
Was a time when I

Loved London too,
Much more than you
Or anyone I knew

Could construe.

But that London
Is long gone  
That London is now 

A ghost of yesterday.

"I like London," she said.
My response was swift,
And fixed in its view  

"London, my dear friend, 
Is dead."





Byronic Legacy



Newstead Abbey Park family house in many acres of private woodland.

My mother wrote a modest memoir, pencilled in her beautiful copperplate hand, titled Recollections. She commented that Newstead “held a secret,” adding that “the walk to the Abbey was short. It was in the same grounds as my parents’ home. I remember how absorbed Seán became with the whole atmosphere of the place — very intent.”

I knew little concerning Byron’s life when I was a child, and would not trouble to read a biography about him until I was nineteen. Yet I recall the poet’s name cropping up in hushed tones when I was still quite young. It did not take long for an awareness to develop of the family connection, albeit one that was to remain firmly in the cupboard where Byron’s skeleton nevertheless rattled from time to time, despite the bloodline’s illegitimate origin. Unlike today, such things were not considered at all appropriate for dissemination. Hence much caution was in evidence about the Byronic legacy my mother and I had inherited. In those days it would remain a topic unmentioned in company, and even in private it was to be a mysterious family legend.

By the time I had my first complete work published (as opposed to contributions I had made to anthologies edited by other authors) there was no question in my mind that the book would be dedicated to the memory of my illustrious ancestor Lord Byron.

Not unlike the poet’s early work Childe Harold’s Pilgrimage, my first complete work in print became an immediate bestseller. My mother recounted in her Recollections:

“Newstead held a magic for me. Seán loved it too. He went about the grounds with my brother, Colin, who had a tree house and a gun. Dad only allowed Colin to have a gun because the poor rabbits were dying in agony from myxomatoses. I was given a book of English poetry by my father. Seán picked it up and out of the one thousand one hundred and fifty poems chose Byron’s She walks in Beauty to read. I don’t think Seán even knew the connection between Lord Byron at that time.”

The longest absence from Newstead as a child was the period spent in Canada where my parents sought their future and fortune overseas. “I heard some lovely reports about Montreal, which I related to Allen,” my mother recorded.

“These little stories fired our imagination and we decided to go. Seán was aged three. Allen went first by air. Seán and I stayed at home until three months later when we were passengers on the Aquitania from Southampton to Halifax, Nova Scotia. Allen had been in Toronto for three months, but we settled in Montreal, a beautiful city built around a mountain topped by a cross. This seemed significant to me at the time. I had collected crosses for years. The highlight of our day was to take the bus to St Catherine’s Street where we would have a chocolate éclair each with a beverage. Weekends would find the three of us walking up the mountain or visiting the lake. It was all very pleasant, but our future in Canada was really doomed from the start as many things were not what we had been used to in England. The accommodation left much to be desired, and Allen discovered that work was in short supply. So back home we came on the Ascania, a much smaller version of the Aquitania, which proved to be a smelly little ship. We docked at Liverpool and from there we sailed to Dublin where we stayed with Mr and Mrs Berry. He was the keeper of DublinCastle.”

The rickety and foul-smelling tug called the Ascania should have been scrapped years before we boarded it, and almost certainly was soon after our arrival in Liverpool. This was in marked contrast to our time at Dublin Castle as a guest of the Berrys. In the previous century the spectre of a frail gazelle of a girl of medium height, in Regency clothes, flitted down the corridors with large, enquiring eyes brimming with tears. She occupied the shadowy places I now found myself wandering. I would write her biography one day, and it was published in the saddest year of my life. My biography of Lady Caroline Lamb was the last book my mother would read before she died.


My mother and I after returning to England.

Within a couple of months my parents had left Ireland, and once again I was amongst the familiar scenery of our beloved Newstead Abbey Park. Soon after my fifth birthday, however, I began attending Hungerford School in north London, and visits during holidays were all that now seemed possible. My mother’s Recollections continued:

“A lovely city, Dublin, but it held no future for us, so we came back to England via Dunleary to Holyhead, staying in Nottinghamshire. Allen went ahead of me to London. Seán and I joined him shortly after to find temporary accommodation in Highbury Hill. Then we found rooms in Holloway, followed by the Mansions where we had a porter and cleaner. I recall how eager Seán was to read and write, and he made fast progress. Seán had talked at a very early age. It was when he went to school that we noticed the early signs of his originality. He was different, always different from others, and he had a way with words from the start. He was also very perceptive right from his first year. He seemed to read one’s thoughts and feelings.”

  

Visits to Newstead nevertheless continued on a fairly regular basis. It was in the Abbey’s vast collection where I discovered a pencil portrait of my Dublin Castle phantom: a quarter-length drawing of a pensive young girl with slightly downcast eyes. Mesmerised by the elfin creature, a window seemed to open within my subconscious mind to rich colours lit by candelabras stuffed with melting candles, heavy brocades and tapestries, exquisitely decorated harpsichords, sombre paintings in large frames, dark oak furniture, and reverberating, melodic strains from another time. Amidst all this appeared a ghostly female with rosebud lips, fawn curls and large, sad eyes.

Momentary glimpses of Romanticism’s haunted realm where the flickering, wavering image glided in step to echoes from a tinkling, distant spinet, offered somewhere I would visit throughout my life thereafter — a primitive form of time travel.  The identity of my apparition became soon became apparent. It was Lady Caroline Lamb.

Caroline’s husband was Secretary of Ireland in 1827, two years after their separation, and he would have stayed at Dublin Castle for long periods of time. This was three years after the tragic death of Caroline’s fatal passion Lord Byron. She had stayed at the castle prior to when her husband, William, became Secretary. He almost certainly accepted the post because he could not bear to watch her suffering any longer in the wake of the terrible news about her lover Byron. It would destroy her in the end.


My psychic portal grew faint as childhood innocence itself gradually eroded over the years, but later in life I renewed my acquaintance in becoming the biographer of Lady Caroline Lamb. Lord Brocket invited me to Caroline’s country residence in Hertfordshire, Brocket Hall, and Lady Brocket entered into a correspondence where she told of the haunting at the Hall. In February 1992, Lady Brocket wrote of “a woman in the Ballroom” when she was playing some Chopin on the piano.


Frédéric Chopin ― my mother’s favourite composer ― and mine. How memories are stirred whenever the sound of his music fills the air. Each visit I made to Chopin’s tomb at Père-Lachaise in Paris, I would invariably discover freshly cut red roses on the grave ― lovingly placed by a mysterious admirer.


My mother playing some Chopin on the piano at our Newstead home.

When we arrived in London from Ireland, having settled in a first floor flat in Islington, my father ordered a rosewood piano to be delivered. It remained with my parents to the end. On this instrument my mother would continue to play the music of Chopin in those early days. When we removed to the Mansions, where Fred the porter and Alice the cleaner were part of the fixtures and fittings, the piano followed. Its final destination was the house my parents purchased within a short walking distance.

The children at Hungerford School adored my mother. They called her “flower face” because of the curls around her constantly smiling face. She was at her most beautiful during this period and attracted many admiring glances — yet she remained ever childlike and innocent, charming everyone along the way, to the end of her life.

Despite the transparent naîvety that never left her, my mother led the way and made things happen. She wanted a child. My father was less convinced. When we returned to England from overseas, my mother would be the one to discover and organise each  of our homes. It became apparent to me in later life that she earnestly wanted me to find the romantic fulfilment that she felt she had been denied all along.

Some years I won a national poetry competition with To Nature ― On Autumn:

                                                ’Twas down a little country lane
                                                Leaf-strewn, in coloured hue,
                                                That to my memory will remain
                                                The joy I found in you.

                                                Sweet whisperings from a brook nearby,
                                                Sad notes of birds’ late song,
                                                Filled my heart with an ecstasy.
                                                Dear Peace, for you I long.

                                                When back amid the noise and pain
                                                Of daily toil and strife,
                                                Locked in my heart that country lane,
                                                Brings reality to life.

Notwithstanding the influence my mother had on these three verses, Newstead Abbey Park had provided for me the brook and nearby country lane. My mother had much older memories. When she was very young and her parents had moved from Derbyshire to an idyllic setting at Wollaton, a brook ran along the bottom of the country lane where their house was situated. She often spoke about her first home. Newstead, in many ways, would magnify its joys and aspects ― adding acres of woodland and more besides. After the Newstead property and its acreage were sold in the early 1960s, my grandparents lived out their remaining days in a house built for them on land purchased at Wollatan Park. The haunting of their home by a cold presence that apparently manifested as a spectre, allegedly causing my grandmother to fall down the rockery one evening, precipitated this final move. She lay undiscovered for some hours before her husband returned. Presentiments of doom and disaster seemed to intrude her everyday existence thereafter and she never properly recovered.

Newstead was to become for me a symbol of all that belonged to the old world that was already irrevocably, moment by moment, slipping away. More than anything my mother wanted me to find real happiness; something that was always just out of reach for her. This is reflected in the lines I would write in a novel published some eight years after her death.

“The world we once inhabited has gone. … This is your time and your world. Find happiness in it, if you can.” So tells Mina Harker to her son, Quincey, in Carmel, my sequel to Bram Stoker’s gothic masterpiece Dracula. Yet it could have been my own mother speaking. Her world was fast disappearing as two catastrophic wars heralded the quick demise of a cultural identity and spiritual destiny that had lasted two millennia.

Today that England, and much that made it the most wonderful place on Earth, has all but disappeared. Nobody regrets its passing more than do I.